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Showing posts with label Film Noir. Show all posts
Showing posts with label Film Noir. Show all posts

Brighton Rock'ed Photoshoot

If you are going to have a dream, dream big! This has always been my approach - rightly or wrongly - and with this venture it was no different.

I had a dream - to build a community, to work alongside photographers, models, makeup artists, hairstylists and clothing suppliers on a big production, and this was a chance to do just that. Now believe me when I say that this was still a scaled-down version of my ideal which would have involved full designed sets, rotations of clothing and models, studio lighting on hand, smoke machines, milk shakes, the list goes on - but all that comes at a cost and this project was not about money. I almost made it happen without spending a penny too, with everyone giving up their time, products and skills for free*. That was no simple feat considering it was my first group photo venture - I have only been in Brighton for 3 months, know few people and am relatively unknown myself. Now don't get me wrong, I have organised many things before. In fact, that constituted most of my previous work in Spain but there the participants were captive and willing.
*The agreement is the models, stores, hairstylists and makeup artists have access to all the images shot by all the photographers to use as they wish for commercial promotions etc - fair trade ;)

We arrived bright and early to set up the dressing room and hair & makeup studio for the models. The models started to drift in, then the makeup artists and hair stylists, closely followed by the girls' clothing stylist (I had picked up the men's clothes the night before and brought them with me.) I was finally starting to see the pieces fit together and eagerly anticipated seeing it in full swing. I was mindful that the photographers were awaiting my arrival on the seafront so I headed off, leaving the girls in capable hands to get ready. I greeted the photographers and gave them the outline of the event - everyone was up for it and dying to see the models all made up, as was I. I had a good idea about how this project was to run and I'm pleased to say it went better than expected. We had a group of photographers, a team of hair stylists, a gaggle of models, a wardrobe of clothes, a riot of mods, lighting supplied by Mother Nature and a damn good time.

The models looked fantastic, not just because they were models but due to the hair, makeup and clothing which really made all the difference. As I dashed about ensuring everyone knew what they were doing and why, I realised I was missing my opportunity to shoot too. I had actually set up a whole storyboard for each genre but because I never really got into my groove, my attention being split in many different directions, I didn't manage to get many of my planned images, just grabbed shots here and there. It was a bit of a shame as I had had a whole Film Noir story planned.

Now I know some people may not believe it but I did relinquish some control - not much but a little. So I'm not a total control freak, right!? I would like to thank Emma, Linda and Ash for their assistance on the day and in advance. I would like to thank Stephen for checking I had all his questions answered before he had asked them.

The model releases, although a necessary evil, turned out not to be the nightmare I had imagined, as we could get them signed in the final minutes of shooting at each station. I have seen some amazing images and met some great folks from this venture, there just wasn't enough time to chill and chat with them all. Now that the images are being uploaded it's great to see the things I missed - different approaches to shots, different processing styles and the wealth of skills involved by each person.

One shot I was longing to get was a Quadrophenia style scooter drive-by. Unfortunately 3 scooters do not a rally make! Even though there was a large number of scooters there, they just didn't leave or arrive en masse.

So the big question is, would I do it again? Of course I would! I learnt a lot and understand the flow better now, though maybe, just maybe, I will make it smaller next time ;)

Amidst all the fun and enjoyment of the day there was also some fundraising going on for the Teenage Cancer Trust. If you missed this then please drop by the website and show your support.

Special thanks go out to the vendors:
Simon @ IMMEDIATE
Audrey @ KATE & AUD
Make up @ ELLOISE INDIA WILLETT, NATALIE LUPTON, SOPHIA FUCHS

Supporting thanks also go to:
Ash @ BRITISH ARMY

Huge shout out to the MODELS:
Ruth Charnock / Seda Ilter / Christine Lechner Dostal / Clair Morrow / Jemma Measor / Danielle Watton / Charlye Cooper / Bethan Moyse / Sarah Nix / Ben Elliott / Cristiano Langella / Andrew Maclean / Chris Terrell / Ryan Wreyford

And of course, to all the talented photographers who were involved. We did indeed rock Brighton! To see for yourself click the video below.

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Week 2 of 52

So for this weeks challenge I set myself the task of Light and Shadow.  Now as we all know all photos are made of these elements, but one genre in particular uses this more than any other and that's FILM NOIR.

I set about doing some research into the genre both online and by watching DVD's (any excuse :)) and I saw some wonderful effects - surprisingly even though most are done in shadow it requires more light (in order to create the shadows).  I didn't have the benefit of wonderful fog, but I did go out a spot a great location near a bridge with cool street lights - sadly at 1 in the morning they turned off the lights (and I hadn't gotten the look I was after).

As for props - well I have a few of them which came in handy for some shots items like guns, handcuffs, cigarettes and of course hats.
This was a tough subject - why can't I keep things simple?  Maybe next week?  I did however learn more about lighting, light positioning, how to set a scene and I still have SO much to learn about night photography. 
I have some great concepts in my head, but producing them is another matter - still the lessons I'm learning will no doubt be useful in the future.
Extra quick tips: 
- if photographing at 1am take a torch with you
- work on your poses
- avoid cheap remotes, cold hands and little switches bad combination
- know what time they switch off the street/building lights you want to use!
The hardest thing I am still finding is trying to do it all alone - come up with concept, setup lights, setup camera, be my own model and take the photo.  Sadly Sandra is usually too tired as she has Pitu to look after whilst I am doing my crazy things.  So when she does offer her help it is greatly appreciated as I know how hard she works.

Well as for the final results - again not quite what I had in mind, technical knowledge and props lacking.
But in general happy with the shots I took, winning shot HERE.
WEEK 2 - FILM NOIR

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